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Once I am sure there’s nothing going on I step inside, letting the door thud shut. Another church: matting, seats,… READ MORE
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I’m not really trained to make any sort of insight about film or filmic technique. I believe I can say… READ MORE
In addition to teaching a section of Literary Theory and Criticism at URI’s Providence campus this semester, I taught two… READ MORE
The Snow Man One must have a mind of winter To regard the frost and the boughs Of the pine-trees… READ MORE
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MAN O rocky voice Shall we in that great night rejoice? What do we know but that we face One… READ MORE
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A few weeks ago, I tried using AMC’s Breaking Bad to concretize and critique Catherine Malabou’s Ontology of the Accident.… READ MORE
The Child, in [our current] historical epoch […] takes its place on the social stage like every adorable Annie gathering her limitless… READ MORE
What does this bottomless gaze offer to my sight [donne à voir]? What does it “say” to me, demonstrating quite… READ MORE
Sketching a Present 