The Rock

I

Seventy Years Later

It is an illusion that we were ever alive,
Lived in the houses of mothers, arranged ourselves
By our own motions in a freedom of air.

Regard the freedom of seventy years ago.
It is no longer air. The houses still stand,
Though they are rigid in rigid emptiness.

Even our shadows, their shadows, no longer remain.
The lives these lived in the mind are at an end.
They never were . . . The sounds of the guitar

Were not and are not. Absurd. The words spoken
Were not and are not. It is not to be believed.
The meeting at noon at the edge of the field seems like

An invention, an embrace between one desperate clod
And another in a fantastic consciousness,
In a queer assertion of humanity:

A theorem proposed between the two—
Two figures in a nature of the sun,
In the sun’s design of its own happiness,

As if nothingness contained a métier,
A vital assumption, an impermanence
In its permanent cold, an illusion so desired

That the green leaves came and covered the high rock,
That the lilacs came and bloomed, like a blindness cleaned,
Exclaiming bright sight, as it was satisfied,

In a birth of sight. The blooming and the musk
Were being alive, an incessant being alive,
A particular being, that gross universe.

– Wallace Stevens, The Collected Poems (pp. 525-26)

 

2 responses to “Reading Aloud (#16): from Wallace Stevens’s “The Rock” (1952, 1954)”

  1. […] Essentially the ‘narrative’ as painted by the brain as to the validity of one’s memories is fragile, no doubt due to a subconscious awareness that much of it is fabricated, but the subconscious tries to cling on to the fabrication for as long as possible. And, considering one’s personality is largely based on this fabrication, on this culmination of memories which gives us our life experience and thereby our learned behaviour, it follows that it takes very little indeed to create a crisis in even the strongest personality. Not being able to validate this grounding in my memories was like knocking against the pillars of a building to test its firmness. In the end, it takes us to an end of humanity. As Wallace Stevens says in the first section of ‘The Rock’: […]

  2. El poeta en su ocaso | en son de luz Avatar

    […] Stevens, Late poems (1950-1955), Two letters, Letter from The rock. Foto R. […]

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